


Well, I've spent very little time shooting this last year. A number of things caused this.
1st, and most important (for a number of reasons) we had a baby (ya!!!... he's awesome and healthy and we are ecstatic). I don't like leaving my lovely family for long periods during the first year, and this was one of the main causes for not shooting much.
Because of this, and because of my new(ish) partnership with Mclain shooting weddings, I thought I could spend my year practicing taking good, clean, evenly and lovely lit pictures (I don't like lovely) to improve my wedding photography. I feel I did this (and continue to do this)... but not without struggle. I am a very oppositional and stubborn individual, and this applies strongly to my photography. I need to learn things my way, even if I have to take 2 steps forwards, and then walk 19 figure 8's, take a nap, and then mow my lawn just to get there. It's just how I work. I intrinsically do not trust automatic features (like TTL)..., AND I like dramatic lighting. Rejecting these things would make my wedding photography much more predictable, and palatable (but I hate easy, and I hate lovely!!).
It was a worthwhile thing to practice, and I feel like my brain made good strides working some of this out. Stupid brain!
I also spent a great deal of time really, truly thinking about my artistic vision, and the strengths and limitations of my equipment. All technology has it's pro's and cons - whether you play electric or acoustic guitar, or shoot film or digital. I love digital. I started out shooting film, and the creative control, and advances of digital just sold me from the beginning. I enjoy perusing some of the old work of the medium format (and other mediums) photographers from bigone era's... however, I am also a big proponent of embracing current technology (if it's not garbage, of course).
If you consider yourself to be an artist, I encourage you to think carefully about this.
I will give you an example; The richness of colours, and the ability to control saturation seems to me to be unprecedented in digital vs film. Also, as much as I enjoy old wet-plate and medium format film shots, the crisp focus, and ability to control depth of field is again amazing and just seems incomparable in new digital vs any kind of film.
Now, of course older medium and large format film techniques have amazing texture, incredible dynamic range (man that's a good thing!!!!!!!!!), and just a certain quality that is very very very cool.
Knowing the very very very cool qualities of your technology is, well, very cool!
Using them, mastering them, and understanding their strengths from an art history perspective is something I am trying to do; to try to see how these tools are creating a technical history right now.
Understanding this really informed the kind of photography I am exploring right now.
So, without further rambling, I welcome back Layla from baby retirement.
I am looking forward to getting Jane in studio again soon too, now that I have returned from diaper hell!
Rob






















I just like this one too.

























